Nov 29–Dec 24
Jan 18
Wed
Leonardo!

Denver, CO

Jan 20
Fri
Leonardo!

Jackson, WY

Jan 23
Mon
Leonardo!

Salt Lake City, UT

Feb 16–Feb 17
Frankenstein

Burlington, VT

P1170640

Leonardo! Program

Leonardo is a terrible monster. He tries so hard to be scary, but he just… isn’t. Then Leonardo finds Sam, the most scaredy-cat kid in the world. Will Leonardo finally get to scare the tuna salad out of someone? Or will it be the start of an unlikely friendship? The plot thickens when this pair meets Kerry and Frankenthaler, an even scaredier-cat and her monster friend. Kerry and Sam need to make a big decision: will they just be scaredy cats or can they become friends?

Leonardo! A Wonderful Show About a Terrible Monster uses hundreds of illustrated paper puppets, book pages, two-dimensional props, furry monster puppets, and songs to bring Mo Willems' books to life. Manual Cinema wanted to re-create the experience of holding one of Mo’s book pages, which are big, bold, colorful, and full of visual rhythm, with a playful use of scale. Like all Manual Cinema productions, you’re invited to watch the big screen like a traditional movie, or to watch the artists below as they create the story in real time. (There is no wrong way to watch the show!)

Created by Manual Cinema
Inspired by the Books Leonardo, The Terrible Monster & Sam, The Most Scaredy-Cat Kid in the Whole World by Mo Willems
Directed by Sarah Fornace

COMPANY

Leah Casey - Kerry, Puppeteer

  • Sept. 10, 11, 17, 18, 24, 25, 30 and Oct. 1, 2, 5-9, 14-16

Lily Emerson - Narrator, Character Voices, Guitar and Vocals

Sarah Fornace - Sam, Puppeteer

  • Sept. 11, 17, 25, 30 and Oct. 1, 2, 5-9, 12-14

Julia Miller - Sam, Puppeteer

  • Sept. 10, 18, 24, 28, 29 and Oct. 15, 16

Lindsey Noel Whiting - Leonardo, Puppeteer

Shay Turnage - Kerry, Puppeteer

  • Sept. 28, 29 and Oct. 12, 13

Maydi Díaz - Stage Manager and Board Operator

Ben Kauffman - Sound Engineer, Board Operator

Kyle Vegter -Sound Engineer, Board Operator


CREDITS

Created by Manual Cinema

Inspired by the Books Leonardo, The Terrible Monster & Sam, The Most Scaredy-Cat Kid in the Whole World by Mo Willems

Directed by - Sarah Fornace

Adaptation by - Sarah Fornace and Drew Dir

Music, Lyrics & Sound Design by - Ben Kauffman and Kyle Vegter

2D Paper Puppet and Prop Design by - Drew Dir

Hand and Rod Puppet Design by - Lizi Breit

Costume & Wig Design by - Mieka Van der Ploeg

Lighting Design by - Trey Brazeal with Nick Chamernik

Dramaturgy by - Megan Alrutz

Stage Manager and Board Operator - Maydi Díaz

Sound Engineers - Ben Kauffman and Kyle Vegter

Technical Director for Original Production - Mike Usrey

CAST

Leah Casey (Kerry, Puppeteer)

Lily Emerson (Emily, Narrator, Character Voices, Vocals)

Julia Miller (Sam, Puppeteer)

Lindsey Noel Whiting (Leonardo, Puppeteer)


Understudies

Ann Delaney (Emily, Narrator, Character Voices, Vocals)

Sarah Fornace (Sam, Puppeteer)

Shay Turnage (Kerry, Puppeteer)

Commissioned by The Kennedy Center for Performing Arts with additional commissioning support from Utah Presents

Special Thanks to David Kilpatrick, Chicago Children's Theater and Laura Colby

Images by Manual Cinema, Characters © Mo Willems

CAST BIOS

LEAH CASEY (Kerry) is a Chicago-based actress, writer, and dancer with a love for fictional podcasts. Some of her previous credits include Frankenstein with Manual Cinema, For Colored Girls at Court Theatre, and Romeo and Juliet with Teatro Vista. When not onstage, she can be found working with the cast of Project STELLAR, a science fiction podcast about a group of crazy kids who have close encounters of the awesome kind.

LILY EMERSON (Narrator, Musician) is a multi­faceted performer, producer, collaborator, and all-around creative weirdo. Lily is the co-creator of Adventure Sandwich, a Chicago-based group that produces family-friendly video, music, live performances and events. She served as the Artistic Director of Opera-Matic, an interdisciplinary arts organization that produces participatory art experiences in the parks, from 2018-2020. She is also the founder of Lucid Street Theatre, a performance collective that created original works from 2007-2011. Lily has performed throughout the US, Belarus, the Czech Republic, and France, and has been recognized with various awards and residencies, including the Lisa Dershin LinkUP Residency, the Peggy Notebaert Nature Museum's Artist in Residence, and the Chicago Digital Media Production Fund. More information about Lily can be found at creative-weirdo.com.

SARAH FORNACE (Co-Artistic Director, Sam Understudy) is a director, puppeteer, choreographer, and narrative designer based in Chicago. She is a co-Artistic Director of Manual Cinema. Outside of Manual Cinema, Sarah has worked as a performer or choreographer with Redmoon Theatre, Lookingglass Theatre Company, Court Theatre, Steppenwolf Garage, and Blair Thomas and Co. Most recently, Sarah wrote the story mode for the video game Rivals of Aether. In 2017, she directed and edited the first episode of the web series, The Doula is IN. In 2016, she directed and devised an "animotion" production of Shakespeare's Hamlet with Rokoko Studios for HamletScen at Kromborg Castle in Elsinore, Denmark.

SHARAINA LATRICE TURNAGE (Kerry) is from the sensational Southside of Chicago. Recent credits include: Mementos Mori, The End of TV, and No Blue Memories (Manual Cinema), The Silence in Harrow House (Rough House Theater) The American Revolution (Theater Unspeakable), and Los Milagros (Free Street Theater). Sharaina has researched and performed theater historical done by slaves called “Du” theater in Suriname, South America and was amongst one of the first actors to perform “Du” theater in the United States. Sharaina received her B.A. at Southern Illinois University Edwardsville where past credits include: Mayme (Intimate Apparel), LaWanda/Topsy Washington/Normal Jean (The Colored Museum), and Bernice (Servy N Bernice 4ever). Sharaina thanks her family and close friends for the constant support. "The greatest pleasure in life is DOING what people say you CANNOT do."

JULIA MILLER (Co-Artistic Director, Sam) is a director, puppeteer, and puppet designer. With Manual Cinema she has directed Mementos Mori and The End of TV as well as created original roles in Frankenstein (The Creature/Elizabeth), Ada/Ava (Ada), Lula del Ray (Lula's Mother), The Magic City (Helen), and Hansel und Gretel (Hansel). In Chicago, she has worked as a performer and puppeteer with Redmoon Theatre and Blair Thomas and Co. She spent several years training in devised theatre, clown and mask with Double Edge Theatre, Carlos García Estevez and at the Accademia dell'Arte in Arezzo, Italy.

LINDSEY NOEL WHITING (Leonardo, Puppeteer) is a Chicago-based performer and teaching artist. Her theatrical credits include Lookingglass Alice, Mr. & Mrs. Pennyworth, and The Great Fire at Lookingglass Theatre, Christmas Carol and Dracula at Actors Theatre of Louisville, The Snow Queen at Victory Gardens, and The Year I Didn't Go to School with Chicago Children's Theatre. She has also appeared in numerous shows with Redmoon Theatre, including the world premier of The Cabinet and Once Upon a Time. Additionally, Lindsey is an Associate Artist with The Actor's Gymnasiums where she has performed in over ten original circus productions.

CREW BIOS

MAYDI DÍAZ (Stage Manager, Video Mixing & Live Sound Effects) is a Chicago based stage manager. Since completing a BA in Arts Management from Columbia College Chicago and a MA in Theatre Production from the National University of Ireland Galway, Maydi has worked on multiple areas of technical theater. Her stage management credits include Caucasian Chalk Circle (Mick Lally Theatre), Back In The Day (UrbanTheater Company), The Delicate Tears of the Waning Moon and La Peor de Todas (Water People Theater), Kiev (Aguijón Theater Co), and various shows with PlayMaker's Laboratory. When she's not at the theater, you can find Maydi folk dancing or doing calligraphy.

BEN KAUFFMAN (Co-Artistic Director, Sound Engineer) is a Chicago-based composer, director, interactive media artist and co-Artistic Director of Manual Cinema. His film and interactive work has been shown at the Jay Pritzker Pavilion (Chicago), the Peggy Notebaert Nature Museum (Chicago), the University of Wisconsin and CUNY’s Baruch College (NYC). He has lectured at The Metropolitan Museum of Art's MediaLab, New York University and Parsons the New School of Design. His past composer credits with Manual Cinema include Ada/Ava, The End of TV and the New York Times documentary The Forger. He holds a Master’s degree from New York University’s Interactive Telecommunications Program (ITP).

KYLE VEGTER (Co-Artistic Director, Sound Engineer) is a composer, producer, sound designer, and Managing Artistic Director of Manual Cinema. As a composer of concert music he’s been commissioned by such groups as The Chicago Symphony Orchestra’s MusicNOW series, The Pacific Northwest Ballet, and TIGUE. His music and sound design for theater and film has been performed worldwide and commissioned by the New York Times, NPR’s Invisibilia, Topic (First Look Media), the Museum of Contemporary Art Chicago, StoryCorps, The Art Institute of Chicago, The Poetry Foundation, Hubbard Street Dance, the O, Miami Poetry Festival, and others. His past Composer/ Sound Designer credits with Manual Cinema include Lula Del Ray, Ada/ Ava, FJORDS, Mementos Mori, The End of TV and various other performance and video projects. He has been an artist in residence at High Concept Laboratories, and co-founded Chicago’s only contemporary classical music cassette label Parlour Tapes+.

MO WILLEMS BIO

Mo Willems is an author, illustrator, animator, playwright, and the inaugural Kennedy Center Education Artist-in-Residence, where he collaborates in creating fun new stuff involving classical music, opera, comedy concerts, dance, painting, and digital works with the National Symphony Orchestra, Ben Folds, Yo-Yo Ma, and others.

Willems is best known for his #1 New York Times bestselling picture books, which have been awarded three Caldecott Honors (Don’t Let the Pigeon Drive the Bus!, Knuffle Bunny, Knuffle Bunny Too), two Theodor Geisel Medals, and five Geisel Honors (The Elephant & Piggie series).

Mo’s art has been exhibited around the world, including major solo retrospectives at the High Museum (Atlanta) and the New-York Historical Society (NYC). Over the last decade, Willems has become the most produced playwright of Theater for Young Audiences in America, having written or co-written four musicals based on his books.

He began his career as a writer and animator on PBS’ Sesame Street, where he garnered six Emmy Awards (writing). Other television work includes two series on Cartoon Network: Sheep in the Big City (creator + head writer) and Codename: Kids Next Door (head writer). Mo is creating new TV projects for HBOMax, where his live action comedy special Don’t Let the Pigeon Do Storytime! currently streams.

His papers reside at Yale University’s Beinecke Library.

sign up for our newsletter!