MANUAL CINEMA is a performance collective, design studio, and film/ video production company founded in 2010 by Drew Dir, Sarah Fornace, Ben Kauffman, Julia Miller, and Kyle Vegter. Manual Cinema combines handmade shadow puppetry, cinematic techniques, and innovative sound and music to create immersive visual stories for stage and screen. Using vintage overhead projectors, multiple screens, puppets, actors, live feed cameras, multi-channel sound design, and a live music ensemble, Manual Cinema transforms the experience of attending the cinema and imbues it with liveness, ingenuity, and theatricality.
To date Manual Cinema has created five original feature length live cinematic shadow puppet shows (Lula Del Ray, ADA/ AVA, Mementos Mori, My Soul’s Shaodow, The Magic City); a live cinematic contemporary dance show created for family audiences in collaboration with Hubbard Street Dance and the choreographer Robyn Mineko Williams (Mariko’s Magical Mix); an original site-specific installations (La Celestina); an original adaptation of Hansel & Gretel created for the Belgian Royal Opera; music videos for Sony Masterworks, Gabriel Kahane, three time GRAMMY Award-winning eighth blackbird, and NYTimes Best Selling author Reif Larson; a live non-fiction piece for Pop-Up Magazine; a self-produced short film (CHICAGOLAND); a museum exhibit created in collaboration with the Chicago History Museum (The Secret Lives of Objects ) a collection of cinematic shorts in collaboration with poet Zachary Schomburg and string quartet Chicago Q Ensemble (FJORDS ); and live cinematic puppet adaptations of StoryCorps stories (Show & Tell).
“this Chicago troupe is conjuring phantasms to die for…”
-Ben Brantley, The New York Times
Manual Cinema has been presented by, worked in collaboration with, or brought its work to The Metropolitan Museum of Art (NYC), Under the Radar Festival (NYC), The Tehran International Puppet Festival (Iran), La Monnaie-De Munt (Brussels), BAM (NYC), Underbelly (UK), Adelaide Festival (AU), The Kennedy Center (DC), The Kimmel Center (Philadelphia), the Museum of Contemporary Art Chicago, the Noorderzon Festival (Netherlands), The O, Miami Poetry Festival, Davies Symphony Hall (SF), The Ace Hotel Theater (LA), Handmade Worlds Puppet Festival (Minneapolis), The Screenwriters’ Colony in Nantucket, The Detroit Institute of Art, The Future of Storytelling Conference (NYC), the NYC Fringe Festival, The Poetry Foundation (Chicago), the Chicago International Music and Movies Festival, the Puppeteers of America: Puppet Festival (R)evolution, and elsewhere around the world.
Manual Cinema was ensemble-in-residence at the University of Chicago in the Theater and Performance Studies program in the fall of 2012, where they taught as adjunct faculty. In 2013 Manual Cinema held residencies and taught workshops at the School of the Art Institute (Chicago), The Future of Storytelling Conference (NYC), RCAH at Michigan State University, and Puppeteers of America: Puppet Festival (R)evolution (Swarthmore, PA), Southern Illinois University, and the Chicago Parks District. In Spring 2016 Manual Cinema held workshops at Yale University as visiting lecturers in the theater department.
Recently, Manual Cinema premiered The Magic City, a new show for children and their families, adapted from a novel by Edith Nesbit, at Chicago Children’s Theatre. In Fall 2016, they contributed visuals, music, and sound design for an immersive adaptation of Peter Pan with producer Randy Weiner (Sleep No More, The Donkey Show, Queen of the Night) which premiered in Beijing in December 2016. This spring they begin production on another feature length show, The End of TV, to premiere at the International Festival of Arts and Ideas in New Haven, June 19-22, 2017. They are also currently creating a new performance, No Blue Memories, about the life and work of poet Gwendolyn Brooks, commissioned by the Poetry Foundation and based on a screenplay by Eve Ewing and Nathaniel Marshall.
In 2017, the company will have debuts in Australia, France and Germany and will return to the Edinburgh Fringe with Lula del Ray.
Danny Ghitis for The New York Times
DREW DIR is a writer, director, and puppet designer. Previously, he served as the Resident Dramaturg of Court Theatre and a lecturer in theater and performance studies at the University of Chicago. He holds a master’s degree in Text and Performance Studies from King’s College London and the Royal Academy of Dramatic Art.
SARAH FORNACE is a director, puppeteer, choreographer, and narrative designer based in Chicago. She is a co-Artistic Director of Manual Cinema. Outside of Manual Cinema, Sarah has worked as a performer or choreographer with Redmoon Theatre, Lookingglass Theatre Company, Court Theatre, Steppenwolf Garage, and Blair Thomas and Co. Most recently, Sarah wrote the story mode for the video game Rivals of Aether. In 2017, she directed and edited the first episode of the web series, The Doula is IN. In 2016, she directed and devised an “animotion” production of Shakespeare’s Hamlet with Rokoko Studios for HamletScen at Kromborg Castle in Elsinore, Denmark.
BEN KAUFFMAN is a composer, director and interactive media artist. His most recent work has been exhibited at The Peggy Notebaert Nature Museum in Chicago, CUNY’s Baruch College, and he has lectured and given workshops at The Metropolitan Museum of Art, New York University, Baruch College, and Parsons the New School of Design. He holds a Master’s degree from New York University’s Interactive Telecommunications Program (ITP).
JULIA MILLER is a director, puppeteer, and puppet designer. Manual Cinema provides her with an outlet for many artistic impulses, including but not limited to breathing life into the inanimate, making delicate small things, and telling stories without words. In Chicago she has worked as a performer and puppeteer with Redmoon Theatre and Blair Thomas and Co. In 2017 she helped produce, direct and edit episode two of the new web series The Doula is IN.
KYLE VEGTER is a composer, producer, sound designer, and Managing Artistic Director of Manual Cinema. As a composer he’s been commissioned by such groups as TIGUE, The Chicago Symphony Orchestra’s MusicNOW series, the Chicago Composer’s Orchestra, the New York Times, and NPR’s Invisibilia. His production credits span genres, and include recent releases by Thin Hymns, Spektral Quartet, Tim Munro (of eighth blackbird), and Color Card. His past Composer/ Sound Designer credits with Manual Cinema include Lula Del Ray, Ada/ Ava, FJORDS, The End of TV and various other performance and video projects. He has been an artist in residence at High Concept Laboratories, and co-founded Chicago’s only contemporary classical music cassette label Parlour Tapes+.
LIZI BREIT (Artistic Associate, Puppeteer, ADA|AVA, Fjords, Lula del Ray) is a Chicago-based artist working primarily across illustration, animation, sculpture, and performance. She has been working with Manual Cinema since 2011 and is currently serving as associate designer. She is an artistic associate with The Neo-Futurists and a former member of Blair Thomas & Co.
MAREN CELEST (Sound and Vocals, ADA|AVA, Lula del Ray, Mementos Mori, Magic City) is a multi-disciplinary artist and creator with a broad skill set, which she works to channel into many different outputs, including vocal work, musical composition, visual design, and writing. She is looking forward to releasing her first book and solo album in 2018. She has shown her photography and short films internationally, and collaborates with many amazing musicians in Chicago to create visuals on their behalf.
SAM DEUTSCH (Puppeteer, Lula del Ray, ADA|AVA, My Soul’s Shadow) is a performer and designer based in Chicago. He is a proud company member of both Manual Cinema and The Inconvenience, a multidisciplinary producing organization. Select performance and design credits include: Denise (the fish) in Mistakes Were Made (World Premiere: A Red Orchid Theatre, Chicago / Off-B’way: Barrow Street Theatre – 2011 Henry Hewes Design Award nominee) and Zoopy (the dog) in Mr. Chickee’s Funny Money (World Premiere: Chicago Children’s Theatre / Off-B’Way: The Atlantic Theatre).
MICHAEL HILGER (Guitar, Vocals, Synthesizers, Percussion, Sample Operator, Lula del Ray, ADA|AVA, Mementos Mori) is a composer, sound designer and multi-instrumentalist based in Chicago, IL. His sound design and composition credits include Redmoon Theater’s 2012 Youth Spectacle, MC’s own Show & Tell, the short film KEPT by Kacey Meyer, Amygdala Rest by Erasing the Distance, and Mariko’s Magical Mix, a collaboration between Hubbard Street Dance and Manual Cinema. He has produced two EPs with THIN HYMNS, a group he founded and fronts. He is currently working on new music and performing solo under the name MICHAEL ALBERT .
SHELBY GLASGOW (company manager, stage manager) has been stage managing since she was 15 years old. She’s worked coast to coast stage managing plays, musicals, festivals, circus,opera, and now cinematic shadow puppetry. Shelby is also very passionate about traveling, and she is so excited that she has been able to incorporate it into her career through her work with Manual Cinema. Shelby has also had the pleasure of touring with B Street Theatre, Nebraska Theatre Caravan, Crew of Patches, and ArtsPower National Touring Theatre. Shelby spends her spare time researching and consuming the country’s best desserts.
CONNOR MATHESON (administrative associate) is working on financial and administrative tasks for Manual Cinema. He is thrilled to be helping out with day to day operations so that the company has more time to make great art. When not working, he likes to spend time exploring his limits through endurance sports. He holds a Bachelor of Commerce from Queen’s University.
MIKE USREY (production manager, sound engineer) has mixed in around a hundred venues worldwide, ranging from large outdoor festivals to theaters and clubs. He toured internationally for three years with the band Dark Dark Dark (Minneapolis, MN) as front of house engineer. He has also toured with Pillars and Tongues (Chicago, IL), A Hawk and a Hacksaw (Albuquerque, NM), Royal Canoe (Winnipeg, MB Canada) and Pattern is Movement (Philadelphia, PA). He has been the front of house sound engineer for Manual Cinema since 2014.